Description
Presenting the second and third segments, Wallenstein’s Camp is the briefest of the three. Even as the central matter transpire in some of the higher levels of the troops and superiority, The Camp of Wallenstein redirects general views, chiefly that of the soldiers in Wallenstein’s camp. They are eager about their commander, who to all forms was able to integrate band of soldiers from many different places. Johann Christoph Friedrich von Schiller was a German poet, philosopher, physician, historian, and dramatist. In the final seventeen years of his life (1788 1805), Friedrich had a dynamic, if complex, acquaintance with the ever popular and successful Johann Wolfgang von Goethe. They often talked on matters about aesthetics, and Friedrich urged Johann to complete his pieces he left as drawings. This friendship and these conversations brought to a time regarded today as Weimar Classicism. They also pursued together on Xenien, a set of brief humorous verses in which both Friedrich and Johann contest adversaries to their philosophical foresight. Friedrich Schiller was born in Marbach, Württemberg as the only son of military physician Johann Kaspar Schiller (1733 1796) and Elisabeth Dorothea Kodweiß (1732 1802). He was raised in a most devout family and spent most of his younger years reading the Bible, which would then inspire his literary career for the stage play. A few of his plays include: Die Räuber (The Robbers), 1781; Fiesco (Die Verschwörung des Fiesco zu Genua), 1783; Kabale und Liebe(Intrigue and Love), 1784; Don Karlos, Infant von Spanien (Don Carlos), 1787; Wallenstein, 1800; Maria Stuart(Mary Stuart), 1800; Die Jungfrau von Orleans (The Maid of Orleans), 1801. Some of his histories are: Geschichte des Abfalls der vereinigten Niederlande von der spanischen Regierung orThe Revolt of the Netherlands; Geschichte des dreißigjährigen Kriegs or A History of the Thirty Years’ War.